Search Results

You searched for "Searchfc points xbox series s Besuche die Website Buyfc26coins.com. Top Qualität, schnell..kVSy"

• Homo-Sighting: Consent & Refusal of Queer Performance in Ryan Danny Owen's LOVE ME LIKE THERE'S NO TOMORROW

  For years, Ryan and I had been on the peripheral of one another’s social and professional lives (we both attended the Alberta College of Art and Design and...

• Homo-Sighting: Consent & Refusal of Queer Performance in Ryan Danny Owen's LOVE ME LIKE THERE'S NO TOMORROW

  Two months later Ryan’s Nike-checked sneakers squeaked on Calgary’s Theatre Junction GRAND’s black-painted floor as they slid, twirled, and shimmied within a round pool of rosy spotlight in their...

• Homo-Sighting: Consent & Refusal of Queer Performance in Ryan Danny Owen's LOVE ME LIKE THERE'S NO TOMORROW

  Ryan performed Love Me Like There’s No Tomorrow for the M:ST (Mountain Standard Time) Performative Art Festival, a biennial event that coordinates collaborations between numerous art and performance organizations...

• Homo-Sighting: Consent & Refusal of Queer Performance in Ryan Danny Owen's LOVE ME LIKE THERE'S NO TOMORROW

  Los-Angeles based artist and film director William E. Jones used this 1962 Mansfield footage for his video works Mansfield (2006) and Tearoom (2007). Jones created Mansfield after finding a...

• The Sounds and Sights of Dance: Rosanna Terracciano's A QUIET FLAMENCO

  The films are beautiful and moving while mysterious. Each film focuses on an individual dancer and begins with their name spoken. This acts as a relational moment: the...

• The Sounds and Sights of Dance: Rosanna Terracciano's A QUIET FLAMENCO

  In a quiet flamenco, Terracciano seems less concerned with the character and movement of flamenco and more so with the personalities - the very personhood - of the...

• Stalking Our Doppelgängers: An Interview with Filmmaker Isaac Ezban

  George Melnyk interviews Ezban about Parallel (2018) and how working in Western Canada has impacted his career and his vision as a filmmaker. *GEORGE MELNYK: This is your first English-language film made...

• Stalking Our Doppelgängers: An Interview with Filmmaker Isaac Ezban

  I would say 23 days in Vancouver is equal to 40 days in Mexico. In Mexico, things move slower. For example, you might start shooting two hours after...

• George Melnyk

  *George Melnyk* is a retired film prof from the University of Calgary. He has written and edited almost 30 books, a half-dozen on Canadian film. He is also a...

• Isaac Wurmann

  *Isaac Wurmann* is a freelance journalist living and working in Winnipeg. He is a recent graduate of the journalism program at Carleton University, where he completed a double major in journalism and...