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• Fostering Women and Filmmaking: 30 Years of Herland

  Somers remembers a far different political climate from today. Feminist films, especially those that openly dealt with women’s bodies and sexuality, were considered controversial by the mainstream. Criticism came...

• Machine Language Protocol: Jeremy Shaw’s QUANTIFICATION TRILOGY

  I Can See Forever, the final film in the trilogy, shifts its filmic style into a kind of mid-nineties documentary interview show in the style of Discovery Channel programming....

• Nina Staum

  *Nina Staum* has a diploma in TV production from SAIT, and has been working in television and post-production for the past 20 years. She enjoys variety and working...

• Jason Purcell

  *Jason Purcell* is a writer and musician living and working on Treaty 6 territory in Edmonton, Alberta. He is Interviews Editor for Glass Buffalo, Circulation Coordinator for Eighteen Bridges,...

• Aran Wilkinson-Blanc

  *Aran Wilkinson-Blanc* is a New Media Artist and Filmmaker. Within his artistic practice, he is continually exploring the systems and constructs that we have formed and live within. He...

• Creation, Loss, and Rediscovery: On Sandi Tan’s SHIRKERS

• Editor's Note

  Unlike the Rocky Mountains that leave you thunderstruck by their sheer monumentality or the thrill of seeing orcas cavorting in the Active Pass between BC’s Mayne and Galiano Islands,...

• Edmonton Sound Travels

  Raylene Campbell “The year is 1974, and it’s just after dinnertime in Sherwood Park, Alberta.”¹³Raylene Campbell is setting the scene for her musical origin story during an AMAAS after-party in...

• Edmonton Sound Travels

  ARRIVALS Matthew Cardinal At the age of 27, Matthew Cardinal is one of the younger sound artists in Edmonton. His interest in music is rooted in country: “A lot of...

• Femme, Fierce, & f-stops: Women Working in Photography