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Femme, Fierce, & f-stops: Women Working in Photography
*CHELSEA YANG-SMITH: How many years have you been doing photography? When did you decide to start taking on freelance work and what has that process been like so...
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Edmonton Sound Travels
Shawn Pinchbeck The “Shawn” that Dion mentioned was Shawn Pinchbeck, who was just 15 when he showed up on CJSR's doorstep with tapes of his own original music. “We would...
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Edmonton Sound Travels
NEW HORIZONS The Edmonton sound art scene now counts generations of artists. In the weeks after AMAAS’s On Sound conference, Matthew Cardinal and Raylene Campbell played at The Works, Shawn...
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The Darkened Room and Reflected Magic: Donald Lawrence and the Camera Obscura
The siting of Nanton’s Camera Obscura is very deliberate. When asked about its placement, Lawrence responded, “While we looked at a couple of other locations around the perimeter of...
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The Darkened Room and Reflected Magic: Donald Lawrence and the Camera Obscura
Yanking with all my might causes the door to close with a thunk. A final sound. The room seems even darker. As I turn, the light on the...
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The Darkened Room and Reflected Magic: Donald Lawrence and the Camera Obscura
Crank, more grinding, the light refocuses and I spy upon a group of artists following Edmonton artist Raylene Campbell on a sound walk. They are silent, concentrating on...
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Kelaine Devine
*Kelaine Devine* is a techno-crafty artist, designer and creative educator. She merges fibre, drawing, video and media arts into hybrid forms with a long history of working with emerging technologies...
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Creation, Loss, and Rediscovery: On Sandi Tan’s SHIRKERS
These are snippets from Shirkers, the first feature made by Singaporean filmmaker Sandi Tan in the early 90s when she was nineteen. There is no sound in the...
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Creation, Loss, and Rediscovery: On Sandi Tan’s SHIRKERS
The exploration of what happened that summer, when Tan and her friends decided to make a movie, is a messy dive twenty years into the past. The documentary...