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• Kate Barry

  *Kate Barry* has performed and exhibited in galleries and festivals throughout Canada and internationally, including the National Gallery of Canada, Vancouver Art Gallery, Open Space (Victoria), 7a*11d Festival of Performance Art (Toronto),...

• Double Visions: Stephen Broomer & Kyle Whitehead in Dialogue

  The Latent Collisions, initiated by Stephen Broomer, is a series of 16 mm films, 35 mm slides, and photographic prints produced by chance superimpositions, made either in collaboration with...

• A Lineage of Self: Vivek Shraya’s TRISHA

  In the third diptych in the series, Shraya’s mother is draped in a pink robe, her arms wrapped around a stuffed animal. Shraya’s recreation alters slightly, and therefore personalizes,...

• FAVA TV: Bringing Media Art to the Masses

  The way the system was developed has influenced its success. With FAVA staff using it every day and offering feedback and suggestions, it has allowed growth and improvements according...

• Naked and Alone at The Threshold Between Two Worlds

   Coloured light blazes into the gallery, tinted by vinyl applied in geometric shapes to the surrounding half-moon windows up high—a work itself titled Eyes Breathing In, Eyes Breathing Out. Appearing like...

• The Many Faces of NOFAC3: Documenting Calgary’s Queer Underground

  In 2020 NOFAC3 directed a music video for the song “Toxigenic[https://vimeo.com/391825858]” by Khillah Khills utilizing local queer talent. It’s a culmination of the artist’s aesthetic choices, using elements of...

• The Black Diaspora in Conversation: From Ousmane Sembène to Marilyn Cooke

  Mati Diop has downplayed Sembène’s influence on her work in favour of her uncle, Djibril Diop Mambety’s filmography. Samba Gadjigo, the foremost scholar on Sembène, argues that  Sembène paved...

• The Monsters Are Due in Calgary: RED LETTER DAY and the Suburban Gothic

  Red Letter Day has plenty of echoes of other films, ranging from The Purge franchise (2013-ongoing) that represents a special “day” that encourages violence, to Calgary filmmaker Gary Burns’s...

• Editor's Note

  I am grateful to be given the opportunity by EMMEDIA and CSIF to edit this 25th publication milestone. Thanks also to the editorial committee for this issue: Suzette Chan, Katie...

• Queers and Our Counterparts

  DM: Mhm. AF: —that in order to sort of validate the conversation of like a gender queer or trans body, there has to be nudity involved. NK: Hm. AF: Um… DM: Which...