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• Equinox Vigil in Calgary’s Historic Union Cemetery 2012 –2018: A Farewell

  Afterword by Aran Wilkinson-Blanc   A tray of sugar skulls with our names on them, in a cemetery, after dark. It was around August that a group of artists, technicians, and...

• Wiretapping Pakula's KLUTE

  Oblivious to the male voice talking about her, Bree Daniels (Jane Fonda) continues to dial on the rotary phone. The male voiceover, positioned over a contemplative and anonymous gaze...

• Hopping for Hope: Ahreum Lee at The New Gallery

  The video incorporates footage of the East Asian pseudoscience Cheok Ji Beob, which translates to “the way to make the world smaller.”¹One of the principles of Cheok Ji Beob...

• Jason Edward Lewis: The Indigenous Future Imaginary

  LUMA: What programs or mandates would you like to see in place in order to support visibility of this kind of work going into the future? ...

• Stalking Our Doppelgängers: An Interview with Filmmaker Isaac Ezban

  *GM: Working in a studio system for the first time and with English-speaking actors and crews required adaptation on your part. How were you able to express your...

• Human Rights and Film at 150

  *AC: The CMHR is located in Winnipeg and as a national museum celebrates stories from across Canada and around the globe. How have you enabled people to engage...

• Beyond Social Fact in Susan Hiller's PSI GIRLS

  In the period between visiting the exhibition and writing this text—a fairly truncated timeline—I encountered two very recent examples of mainstream popular culture that seem to depart from this...

• Editor's Note

  I have been thinking a lot lately about whose stories are being told, and even more importantly who gets to do the telling. Is it important who the...

• Creating a Baseline

  *TS: What has surprised you about this process so far?* GM: Finding that people believe in my project and that people want to help me. I think there’s...

• The Black Diaspora in Conversation: From Ousmane Sembène to Marilyn Cooke

  I was struck by Keity’s features; her dominance as the central figure of the film evoked memories of Ousmane Sembène’s 1966 film Black Girl [La Noire de…].  The third...