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The Monsters Are Due in Calgary: RED LETTER DAY and the Suburban Gothic
We are introduced to divorcee Melanie (Dawn Van de Schoot) and her two teenage children Madison (Hailey Foss) and Timothy (Kaeleb Zain Gartner), newly moved into Aspen Ridge and...
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The Monsters Are Due in Calgary: RED LETTER DAY and the Suburban Gothic
In wresting the Gothic away from medieval crypts and castles and anchoring it in the everyday (and frequently – as in Red Letter Day – the daylight), the...
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Editor's Note
It is fitting that the 20th issue of Luma Quarterly is comprised of articles all about Alberta: mainstream films shot here, the innovative distribution of media art in Edmonton, an exhibition...
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Serenity, Destruction & Inauthenticity: The Transformation of Alberta in BROKEBACK MOUNTAIN and THE REVENANT
Fitzgerald’s understanding is that the brutality of the world around them can only justify atheism: “In that moment, he told me, he found God. And it turns out,...
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Digging in the Dirt: Uncovering the Silent Epidemic Among Albertan Oil Workers
Digging in the Dirt is Howard’s first feature-length film: “I went to film school because I wanted more than anything … to make movies that reach people and...
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Digging in the Dirt: Uncovering the Silent Epidemic Among Albertan Oil Workers
Dennis Shinksi’s story mirrors many others. Shinski and Dallen were childhood friends and when he got the news of Dallen’s death, his first reaction was anger. That’s when things...
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FAVA TV: Bringing Media Art to the Masses
“We used to laugh at him. We called it Space Station Andy, it sounded so outrageous! He had a lot of good ideas, but the scope of it...
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FAVA TV: Bringing Media Art to the Masses
“As formats change, we have a more automated process rather than having to feed it tapes again. The other thing is by decentralizing it, we can approach it...
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Editor's Note
Media art and film creators are particularly fortunate given their creations can often be made available to the online masses either for free or behind a paywall. Still...
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SPAM: No More Plastic Humyns! I Want Affective Indoctrination.
These images that desperately vie for humyn2attention also become a representation of humyn bodies and their production, underpinning the values of a status quo in this moment and time. If aliens...