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• Kate Barry

  *Kate Barry* has performed and exhibited in galleries and festivals throughout Canada and internationally, including the National Gallery of Canada, Vancouver Art Gallery, Open Space (Victoria), 7a*11d Festival of Performance Art (Toronto),...

• A Formalism of Feeling: Queer Temporalities and Memory in PORTRAIT OF A LADY ON FIRE

  With these instances, Sciamma flirts with the coincidences present in heterosynchronic texts. What are the chances that Héloïse would still own the book so many years later, that the painter would...

• Kathryn Armstrong

  *Kathryn Armstrong* is a consultant and media scholar who has conducted research for the Canadian Media Producers Association, worked for Ontario Creates, and the Toronto International Film Festival. She holds an...

• Listening to Wetland Project on Earth Day 2020: “It’s always the right sound at the right time”

  While the sounds of the marsh were ever changing, its ambient presence was consistent. For listeners dealing with the incongruity of life in lockdown while witnessing the world in...

• Alone Together, Fast and Slow: Browsing through the films of Greetings from Isolation

  These short films have been released online since May 2020 and, for the most part, were produced during the early stages of the pandemic. They capture the feelings...

• Inside “Western” Filmmaking: An interview with Katie Wackett of CSIF

  *KA:  Could you speak to some of the biggest challenges facing “Western” filmmakers overall?* KW: One of the main things that arises is being able to get outside of...

• Inside “Western” Filmmaking: An interview with Katie Wackett of CSIF

  KW: On a provincial level, the people in charge of our provincial funding are focused on bringing in productions that just want to shoot here…for the landscape. AKA service...

• Savanna Harvey

  *Savanna Harvey* is a multidisciplinary creator. She is an organizer of secret midnight meetings, an instigator of resistance, and a recruiter of accomplices. As a creator-performer, she has toured...

• Materiality, Interaction, and the Other: Colton Hash & Freya Olafson

  In the 2017 video installation Painting with the Man, Olafson questions the instrumentalization of women’s bodies in Yves Klein’s 1962 Anthropométries series where he covered women in his patented blue paint and made prints of...

• Behind the Screen: Lessons from Making IN PLAINVIEW

  *TH: While you can easily access In Plainview anytime you want via Amazon’s streaming service, the road to getting it on there wasn’t nearly as quick as logging...