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• Performing objects, readymade bodies

  they danced with the understanding that this was for them, eventually it was, a 32-minute video, plays on loop at the back of the space: a collage of...

• Paint and Popcorn

  In the midst of all this engorgement—popcorn butter having created a sheen on my hands and face—I am left with the feeling of not being satiated. This feeling...

• Paint and Popcorn

  Katsushika Hokusai fares much better in the documentary Old Man Crazy to Paint (an epithet the Japanese painter and printmaker gave himself in his later years), produced in conjunction...

• Without the river children cannot learn how to count

  An ache, and a type of magical realism in Queyras’s work, resonates with a series of Holga photographs by Calgary-based artist, Kaylin Obst. A couple weeks ago, my poetry instructor,...

• Creating a Baseline

  *TS: Never having written a feature before, how did you approach the writing phase? Did you just say, ‘I’m going to write a script and that will be...

• Jem Noble

  *Jem Noble* (UK, 1974) lives and works in Vancouver (unceded Coast Salish territories). He repurposes media artifacts, stages gestures, screenings and performances, makes installations, publications and broadcasts, often working collaboratively....

• Keep it loose: a short history of the Artifact Small Format Film Festival

  The third person Pepper mentioned was Stephen Hanon, one of the board members that welcomed Morison’s original $100FF pitch. Hanon was a film enthusiast, and the soon-to-be editor of...

• The Channelers

    *I: False Impressions of Actualizing the Marxist Dream*   Back in 2009, Hito Steyerl’s essay, “In Defense of the Poor Image,” championed the low-resolution, degraded image. She saw the “poor...

• The Channelers

  Like the social imaginary of democracy as a form of participatory politics, networked media is believed to be a platform for free expression, a flagship for equal participation. At...

• The Channelers

  Wendy Hui Kyong Chun, media scholar and author of Programmed Visions: Software and Memory (2011) and Updating to Remain the Same: Habitual New Media[https://mitpress.mit.edu/books/updating-remain-same] (2016), has also criticized the fetishization...