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• The Channelers

    *II: Pleasure in the Confusion of Boundaries and Responsibility in Their Construction*   Artists, curators, and museum/gallery teams build the walls to hide ugly computers and assign crew to the...

• Wiretapping Pakula's KLUTE

  Explicit point-of-view (POV) shots are used throughout Klute. For example, twice in the film, the handheld camera looks down through Bree’s skylight, spying on her, oblivious, inside her apartment....

• Wiretapping Pakula's KLUTE

  Midway into the film, Bree enters a nightclub. The audience watches her enter from across the dance floor. As dancers cross in front of the camera, it becomes...

• Private Rooms: Suite for Kapwani Kiwanga

  How can I make time out of toxins? —Lisa Robertson                   A Float   If I’m an archipelago of permeable particles then a seamount, deeply squatted, on its...

• If you tell yourself garbage is art, is it possible to be wrong?

  Film feels like an act of God, especially when you are using a half-broke camera because you are half-broke yourself. It giveth and it taketh away. Some memories...

• If you tell yourself garbage is art, is it possible to be wrong?

  Collecting and examining what is discarded by popular culture seems like a secret key for cultural change. Maybe that is why indie culture, rare records, and unique but...

• 1700 films, 1000 people, and 150 clubs: a not-so-Amateur Movie Database

  Amateur films encompass many different types of genres and stylistic forms from spontaneous domestic family movies, to carefully edited travelogues and fiction films. Despite the genre’s multiformity, research in...

• Blood on the Poplars: ALIEN THUNDER (1974) and the Story of Almighty Voice

  Fournier’s talents as a director sometimes outweigh the film’s difficulties. The closing two-minute series of wordless tableaus of different onlookers’ reactions to Almighty Voice’s death, culminating with a moving composition...

• That's a Bad Photo

  In an era defined by its self-consciousness, the contemporary image is clickbait, designed to appeal beyond local social communities to encapsulate a more global audience. Photographs distributed digitally often...

• Beyond Social Fact in Susan Hiller's PSI GIRLS

  In the period between visiting the exhibition and writing this text—a fairly truncated timeline—I encountered two very recent examples of mainstream popular culture that seem to depart from this...