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                        The Art Experience vs The Art Object: Performing Arts in the Digital Realm
                    
                
            
            What these audiences, our audiences, want from performing arts are art experiences. They can get their art objects elsewhere, and frankly, they can get better art objects by better... 
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                        FAVA TV: Bringing Media Art to the Masses
                    
                
            
            “As formats change, we have a more automated process rather than having to feed it tapes again. The other thing is by decentralizing it, we can approach it... 
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                        1700 films, 1000 people, and 150 clubs: a not-so-Amateur Movie Database
                    
                
            
            Amateur films encompass many different types of genres and stylistic forms from spontaneous domestic family movies, to carefully edited travelogues and fiction films. Despite the genre’s multiformity, research in... 
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                        Keep it loose: a short history of the Artifact Small Format Film Festival
                    
                
            
            The third person Pepper mentioned was Stephen Hanon, one of the board members that welcomed Morison’s original $100FF pitch. Hanon was a film enthusiast, and the soon-to-be editor of... 
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                        Of Love and Politics: Kiju Yoshida’s Love + Anarchy
                    
                
            
            In the final film of the trilogy—the last film Yoshida ever made—Coup d’Etat (1973), Yoshida reaches back in history to February 26, 1936, when some 1,400 middle-ranking military officers,... 
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                        Black box, white cube, and something in the middle
                    
                
            
            But Steenbeckett works both with and beyond nostalgia, as Dr. Fowler and Dr. David Pike (Chair of the Department of Literature at American University, Washington, DC) argued. Set up... 
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                        The Art Experience vs The Art Object: Performing Arts in the Digital Realm
                    
                
            
            I am an interdisciplinary performing arts creator and producer working out of Treaty 6 Amiskwaciywâskahikan-Edmonton and Treaty 7 Mohkínstsis-Calgary. When the first wave of COVID-19 hit our cities in 2020,... 
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                        Requiem for a Glacier: Mourning Climate Change 
                    
                
            
            One critique I have is of the inclusion of a black box which appears twice in the piece. During one section, the box begins in the centre of the screen, as seen in the above still, and... 
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                        If you tell yourself garbage is art, is it possible to be wrong?
                    
                
            
            Collecting and examining what is discarded by popular culture seems like a secret key for cultural change. Maybe that is why indie culture, rare records, and unique but... 
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                        The Monsters Are Due in Calgary: RED LETTER DAY and the Suburban Gothic
                    
                
            
            In wresting the Gothic away from medieval crypts and castles and anchoring it in the everyday (and frequently – as in Red Letter Day – the daylight), the...