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                        About
                    
                
            
            Mandate Luma is a quarterly online publication about independent film and media art published by the Calgary Society of Independent Filmmakers and EMMEDIA Gallery & Production Society. Luma includes critical... 
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                        The Many Faces of NOFAC3: Documenting Calgary’s Queer Underground 
                    
                
            
            Lloren moved to Calgary from Cebu City, Philippines at the age of 19 and attended the Alberta College of Art and Design (ACAD) where they majored in painting.... 
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                        The Black Diaspora in Conversation: From Ousmane Sembène to Marilyn Cooke
                    
                
            
            In addition to having a young black female lead in their respective films, Cooke and Sembène successfully “memorialize the everyday” by disregarding the white gaze. The distinction between the... 
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                        Editor's Note 
                    
                
            
            It is fitting that the 20th issue of Luma Quarterly is comprised of articles all about Alberta: mainstream films shot here, the innovative distribution of media art in Edmonton, an exhibition... 
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                        As the Mind Tracks Shape... As the Mind Recalls Sound...
                    
                
            
            In 1985, Hoffman was apprenticed to film director, screenwriter, and artist, Peter Greenaway, in Europe, where he filmed ?O,Zoo! (The Making of a Fiction Film)––nominated for Best Short Documentary... 
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                        The Epic of THE IMPOSSIBLE BLUE ROSE
                    
                
            
            Nearly 40 members of Calgary’s community were approached to participate in Lipton's grand re-enactment of THE IMPOSSIBLE BLUE ROSE last June, solicited online and through word-of-mouth. The resulting performance, titled Signed, Your Loving Secret Admirer, took... 
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                        A Failed Poet
                    
                
            
            He was, by all accounts, an astounding polymath of a man. Passing him on the street, however, you might have mistaken him for a drifter: his teeth were... 
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                        The Channelers
                    
                
            
            Wendy Hui Kyong Chun, media scholar and author of Programmed Visions: Software and Memory (2011) and Updating to Remain the Same: Habitual New Media[https://mitpress.mit.edu/books/updating-remain-same] (2016), has also criticized the fetishization... 
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                        Homo-Sighting: Consent & Refusal of Queer Performance in Ryan Danny Owen's LOVE ME LIKE THERE'S NO TOMORROW
                    
                
            
            The emotional toll Love Me Like There’s No Tomorrow had taken on Ryan was easy to observe. After the record player’s needle finished tracing its way across the...