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• Broken Knobs and Glass Eyes: Jan Svankmajer's ALICE

  Svankmajer’s film is a free adaptation, opting to rely on visual nonsense rather than the original’s verbal nonsense. Carroll’s Alice strives to get home in the end, back to...

• Failure, Transformation, Order: Tasman Richardson's "Janus"

  Something at once nostalgic and futuristic, Janus is video blasted free of the dead flesh of the figurative, a unique style of audiovisual composition where both visual and auditory elements emerge...

• The Sounds and Sights of Dance: Rosanna Terracciano's A QUIET FLAMENCO

  a quiet flamenco offers the audience an opportunity to reacquaint themselves with flamenco by presenting a different relationship between sound and dance. While flamenco is traditionally a cacophonous dance,...

• On Context

  Searching for territory beyond the classic “puff piece” directive, Dan Olson wears in a free press pass to the 2016 Calgary Underground Film Festival, takes Harrison Atkins for waffles...

• Submissions

  Luma accepts pitches and previously unpublished finished works that aim to expand critical dialogue about media art and film. Submission formats can include, but are not limited to: critical...

• FAVA TV: Bringing Media Art to the Masses

  Scholotiuk explains: “We found by doing that every video took time, and because it had to go through a person--me--to facilitate this, I became the de facto curator,...

• Creation, Loss, and Rediscovery: On Sandi Tan’s SHIRKERS

  Tan’s concept for the original Shirkers film is rooted in her upbringing in Singapore, a sweaty little island with a government that stressed politeness and decorum, going so far...

• As the Mind Tracks Shape... As the Mind Recalls Sound...

  JN: You’re known as a prolific chronicler, your camera and sound kit ever-ready to make recordings that may not make their way into resolved works for some time....

• Femme, Fierce, & f-stops: Women Working in Photography

  *CYG: People often glamorize working as a freelancer: you get to pick your own hours, work from home, be your own boss, etc. I know that isn’t always...

• Naked and Alone at The Threshold Between Two Worlds

  I think back to a few months ago when the exhibition curator, Christina Cuthbertson, mentioned the Southern Alberta Art Gallery’s aspirations to host nude viewings of this work. I...