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• PRAYER FOR A LOST MITTEN: An Interview with Jean-Francois Lesage

  *GC: Where did the idea for the film come from?* JL: I wanted to make a film about longing. We don’t have this word in French, but it’s...

• PRAYER FOR A LOST MITTEN: An Interview with Jean-Francois Lesage

  *GC: What limitations from conventional documentary filmmaking are you resisting? I can feel that there are conventions that you are getting rid of. For instance, the lack of names,...

• PRAYER FOR A LOST MITTEN: An Interview with Jean-Francois Lesage

  *GC: What did you learn about Montréal when you made this film?* JL: I learned many things. I did a film before in Gaspésie, and the people who said...

• PRAYER FOR A LOST MITTEN: An Interview with Jean-Francois Lesage

  *GC: I think too, the choice of ending the film with collective hope rather than individual hope, can help. Especially because individual hope can be lonely, or even delusional....

• The Art Experience vs The Art Object: Performing Arts in the Digital Realm

  I am an interdisciplinary performing arts creator and producer working out of Treaty 6 Amiskwaciywâskahikan-Edmonton and Treaty 7 Mohkínstsis-Calgary. When the first wave of COVID-19 hit our cities in 2020,...

• The Art Experience vs The Art Object: Performing Arts in the Digital Realm

  A year and a half into the pandemic, and while we may have gotten technically better (audio mixing/switching blunders are less common, for example), we still haven’t entirely figured...

• The Art Experience vs The Art Object: Performing Arts in the Digital Realm

  The performing arts are live. Dance-on-film has a rich history and animated objects are as often spotted on the screen (stop-motion, muppets, etc.) as on the stage, but...

• The Art Experience vs The Art Object: Performing Arts in the Digital Realm

  To achieve liveness, at some point, you must be live. You cannot replicate that moment of the shredded canvas, and pre-recorded content can be perfectly copied again and...

• Teresa Tam

  *Teresa Tam* is an artist from and based in Calgary, Canada. Her practice utilizes spaces and experiences that are familiar and then alters them into something a bit...

• THE QUEEN OF MY DREAMS: An Interview with Fawzia Mirza

  *KH:* This is your first feature as a director, what were the challenges that you faced in making the film?  It was only after the fact that I had the reflection...