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• Who Can Save the Brides of Billy?: Horror and Gender in "Black Christmas" and "The Bloody Chamber"

  The similarities begin in the depiction of our killers, the psychotic Billy in Black Christmas, and the blood-thirsty Duke in The Bloody Chamber. Before we get any visual details,...

• Naked and Alone at The Threshold Between Two Worlds

   Coloured light blazes into the gallery, tinted by vinyl applied in geometric shapes to the surrounding half-moon windows up high—a work itself titled Eyes Breathing In, Eyes Breathing Out. Appearing like...

• Blue Corridors: VOICES - Laura Anzola

  Within the gallery, speakers are placed around the room encouraging movement; each individual voice moves freely between each of the speakers. As a new speaker becomes blue, I travel...

• Wiretapping Pakula's KLUTE

  Explicit point-of-view (POV) shots are used throughout Klute. For example, twice in the film, the handheld camera looks down through Bree’s skylight, spying on her, oblivious, inside her apartment....

• Broken Knobs and Glass Eyes: Jan Svankmajer's ALICE

  The character of Alice (Kristýna Kohoutová) appears uncomfortable in the real world. The film is an expression of frustration at a system that forcefully tries to fit a person...

• Intimacy and Distance: Mona Hatoum at the Western Front

  In Hatoum’s video Variations on Discord and Divisions, created at the Western Front in 1984, the boundary between the inside of the body and the outside is breached....

• Desolate Stillness, Infectious Creativity: Polina Teif at WRECK CITY

  After a three-year long project like Eulogy, the playfulness and camaraderie of Wreck City allowed Polina to explore the documentary format with a lighter hand and a shorter...

• Broken Knobs and Glass Eyes: Jan Svankmajer's ALICE

  Alice shares only a few aspects with the well-known 1951 Disney film adaptation, which also mixes in some of the characters from Carroll’s 1871 sequel Through the Looking-Glass, such...

• Hopping for Hope: Ahreum Lee at The New Gallery

  Like meridians on a map, the exhibition occupies the gallery space with diagonal lines made of tape and black circles, semi-circles, and arrows. This is Lee’s take on...

• Alone Together, Fast and Slow: Browsing through the films of Greetings from Isolation

  The short ends with Inkster removing an eery, expressionless mask from her face. Her eyes are wide open and, at the end, fixed on the viewer. A text...