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• Alexa Bunnell

  *Alexa Bunnell* is an emerging artist, writer, and fermenter. Their practice is currently based in Mohkinstsís (Calgary, AB) on Treaty 7 Territory. Adoration, playfulness, and multi-species conspirators guide their practice...

• Concrete constructs of linearity

  When I was child growing up in a small town, my mother would indulge me in a fantasy that I possessed a magical power: the power to change...

• Concrete constructs of linearity

  Gesturing to one of the walls, illuminated by a floor-to-ceiling projection, Kite’s open-palmed hand incited the transition of the visuals to project an animated rendering as she introduced Einstein’s...

• Concrete constructs of linearity

  A repression exists in not accepting values and systems of knowledge held by cultures outside of the majority, due to the basic principles of hierarchy. This repression of responsible...

• Concrete constructs of linearity

  On the morning following the performance, Kite and I sat together and shared familial anecdotes as a way of circumnavigating the work. We shared our childhood fantasies and mysticisms,...

• Human Rights and Film at 150

  *AC: Do any of the stories here offer a challenge or corrective to common myths about Canadian history and identity?* JP: While the stories in these films are hopeful...

• Don’t just sit, don’t just stop

  Bonum [bo-NOOM], meaning “do for good anyways,” is a series of dream sequences between four dancers, choreographed and directed by Sabrina Naz Comanescu, and filmed and edited by Aran...

• Keep it loose: a short history of the Artifact Small Format Film Festival

  The rules were simple because the overall budget was determined by the cost of Super 8 film; $100 could buy you five rolls of black-and-white, four rolls of...

• The Channelers

  Like the social imaginary of democracy as a form of participatory politics, networked media is believed to be a platform for free expression, a flagship for equal participation. At...

• The Channelers

  Wendy Hui Kyong Chun, media scholar and author of Programmed Visions: Software and Memory (2011) and Updating to Remain the Same: Habitual New Media[https://mitpress.mit.edu/books/updating-remain-same] (2016), has also criticized the fetishization...