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Blood on the Poplars: ALIEN THUNDER (1974) and the Story of Almighty Voice
The W.O. Mitchell Archives at the University of Calgary hosts numerous drafts of the screenplay, extensive correspondence between Mitchell and director Claude Fournier, and even has a glossy, coil-bound...
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Beyond Social Fact in Susan Hiller's PSI GIRLS
In the period between visiting the exhibition and writing this text—a fairly truncated timeline—I encountered two very recent examples of mainstream popular culture that seem to depart from this...
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Desolate Stillness, Infectious Creativity: Polina Teif at WRECK CITY
In anticipation of our first meeting, Polina’s film had been on my mind. As I passed the Bow River by taxi that first day in Calgary, I was...
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Navigating History, Memory, and Mythology: The Challenges of Depicting the 1919 Winnipeg General Strike
While Foote’s photos have stood the test of time, films shot during the strike have largely been relegated to obscurity, and many of them have been lost forever. According...
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Navigating History, Memory, and Mythology: The Challenges of Depicting the 1919 Winnipeg General Strike
It’s a surprisingly slippery story for such an important moment in Canada’s labour history, but that hasn’t prevented filmmakers from taking a stab at telling the strike story over...
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Navigating History, Memory, and Mythology: The Challenges of Depicting the 1919 Winnipeg General Strike
The idea of creating a film about the strike as seen through the windows of a steam bath came to Gonick after seeing an exhibit for its 75th...
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Homo-Sighting: Consent & Refusal of Queer Performance in Ryan Danny Owen's LOVE ME LIKE THERE'S NO TOMORROW
Ryan performed Love Me Like There’s No Tomorrow for the M:ST (Mountain Standard Time) Performative Art Festival, a biennial event that coordinates collaborations between numerous art and performance organizations...
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The Sounds and Sights of Dance: Rosanna Terracciano's A QUIET FLAMENCO
This idea becomes particularly clear in two films in the series: Myriam Allard and Sarah Bronsard. The dancer in Sarah Bronsard moves across the floor using her torso as the...
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The Sounds and Sights of Dance: Rosanna Terracciano's A QUIET FLAMENCO
The films are beautiful and moving while mysterious. Each film focuses on an individual dancer and begins with their name spoken. This acts as a relational moment: the...
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Time Record: A Memoir of Teenage Cinephilia by VCR
I would comb it for films I wanted to see, mostly airing in the middle of the night. “Ah, Ikiru (1952) is on Thursday night. I’ll record that...