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• The Darkened Room and Reflected Magic: Donald Lawrence and the Camera Obscura

  The space between the wall of the grain bin and the focusing dish is just wide enough for one person to circle. I wander widdershins in this magic...

• That Battle is Over, Girl: Alice Schoenberg

  During the performance Ladder(Later)al Movement (2019), my gaze wanders to the top of a yellow ladder, where the superwoman balances perilously on the steps. The precarious tension of watching...

• Lorenza Mazzetti: Free

  Lorenza returned to Italy, but her struggle to make film was only just beginning. The Italian industry didn’t know what to do with her, she told me. Her...

• Carbon Capture: Experimental Strategies for Re-Presenting the Anthropocene

  Native Elegance of the Soul, or Like, Whatever is framed as a walk through the Appalachian landscape. However, through rapid edits, such as, cutting out every second step...

• Editor's Note

  For me gallery going is one of the safer public activities to pursue these days: an almost silent, distanced, and individualistic time to commune with the artworks on display. A...

• The Monsters Are Due in Calgary: RED LETTER DAY and the Suburban Gothic

  In wresting the Gothic away from medieval crypts and castles and anchoring it in the everyday (and frequently – as in Red Letter Day – the daylight), the...

• ᑭᔦᑐᐦᑌᐤ-kiyêtohtêw

  I use a false colour, infrared inspired film a lot of the time. I love the unpredictable and dreamy results. It turns yellows to pinks, dark blues to green,...

• Homo-Sighting: Consent & Refusal of Queer Performance in Ryan Danny Owen's LOVE ME LIKE THERE'S NO TOMORROW

  The emotional toll Love Me Like There’s No Tomorrow had taken on Ryan was easy to observe. After the record player’s needle finished tracing its way across the...

• George Kowalik

  *George Kowalik* is a student at King's College London, in the first year of an English Research PhD. He is a freelance arts writer who has had work published on...

• THUMBS THAT TYPE AND SWIPE: The DIS Collective at Plug In ICA

  The other grouping of posters includes one that lends its title to the exhibit, Thumbs That Type and Swipe. The words outline the pad of a large thumb,...