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• SPAM: No More Plastic Humyns! I Want Affective Indoctrination.

  Currently, as we live through a pandemic with government mandated self-isolation, we are facing increasingly online and networked existences. So many interactions and behaviours that consisted of physical humyn...

• SPAM: No More Plastic Humyns! I Want Affective Indoctrination.

  Yet, art institutions have fallen under more scrutiny in the context of the pandemic.⁸Though artists are expected to continue production for income and reputation, online art production has changed the...

• SPAM: No More Plastic Humyns! I Want Affective Indoctrination.

  If existing media systems and networks maintain and monetize off of colonialism, exploitation, state-sanctioned violence, and follow patriarchal operation manuals, then how do practices intent on resisting these motives...

• Calling All Queers: A Spotlight on NFB Animation

  In I Like Girls, when Marie goes to live with her girlfriend’s family, her mother shows up to take her away: “She sent me to live in a farm...

• Calling All Queers: A Spotlight on NFB Animation

  Estonian-born artist Chintis Lundgren, who now lives in Crotia, describes her work as having a “light, absurdist tone along with distinct anthropomorphic characters.”⁸Manivald (2017), is the story of a young male fox coming to terms...

• Calling All Queers: A Spotlight on NFB Animation

  Manivald has a new-found swagger and confidence until he discovers Toomas in his mother’s bed. This prompts him to move out and go looking for Toomas only to discover...

• Calling All Queers: A Spotlight on NFB Animation

  The animation draws attention (forgive the pun) to the duo’s Safer Spaces Program,which aims to make their shows a safe space for everyone: “You’re not going to feel like...

• Calling All Queers: A Spotlight on NFB Animation

  Canadian documentarian and artist Lynne Fernie’s²¹seventeen-minute Apples and Oranges(2003)is the longest of the five films I have selected and was created with a children’s audience in mind. As noted in the synopsis,...

• Our Message to You

  In a commercial and tourist district near Kowloon are flickering neon lights, advertisements featuring glamorous models, and politically vocal youths publicly addressing their opinions.

• Our Message to You

  The street market is packed with counterfeited designer handbags, sneakers, and souvenirs. However, it only had a handful of visitors.