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• Inside “Western” Filmmaking: An interview with Katie Wackett of CSIF

  As mostly a demographic term, “Western” also carries with it the connotation of access within Canada’s publicly funded system. In particular, regional centres of Western filmmaking have traditionally been...

• Inside “Western” Filmmaking: An interview with Katie Wackett of CSIF

  *KA:  Could you speak to some of the biggest challenges facing “Western” filmmakers overall?* KW: One of the main things that arises is being able to get outside of...

• Inside “Western” Filmmaking: An interview with Katie Wackett of CSIF

  KW: On a provincial level, the people in charge of our provincial funding are focused on bringing in productions that just want to shoot here…for the landscape. AKA service...

• Demons and Demonization: Filming the Anti-Dungeons & Dragons Hysteria

  Today it is striking how non-hysterical Mazes and Monsters is. Its TV movie glossiness makes it appear neutered and anodyne. Its score is especially saccharine. The other gamers are...

• Demons and Demonization: Filming the Anti-Dungeons & Dragons Hysteria

  Skullduggery has elements of a slasher film and of a demonic possession film but regularly swerves into other genres with little warning. It even becomes a teen comedy...

• Savanna Harvey

  *Savanna Harvey* is a multidisciplinary creator. She is an organizer of secret midnight meetings, an instigator of resistance, and a recruiter of accomplices. As a creator-performer, she has toured...

• Requiem for a Glacier: Mourning Climate Change

  In another section of the video installation, a woman attached to a safety rope, slowly and methodically walks across the glacier. She is singing with sheets of music in her hand, seemingly communing with, and offering homage to, the...

• Editor's Note

  These questions seem particularly poignant as we enter our second Fall season of the pandemic. With almost 27,000 deaths in Canada from the disease and a fourth wave...

• Materiality, Interaction, and the Other: Colton Hash & Freya Olafson

  Hash’s Acoustic Turbulence (2019) also mixes the physical and digital by using the Unity WebGL platform to allow viewers to interact with hydrophone data from Ocean Networks Canada.¹Although the interactions are less complex...

• Materiality, Interaction, and the Other: Colton Hash & Freya Olafson

  In the 2017 video installation Painting with the Man, Olafson questions the instrumentalization of women’s bodies in Yves Klein’s 1962 Anthropométries series where he covered women in his patented blue paint and made prints of...