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• Edmonton Sound Expands

  Since Kelly Ruth moved to Edmonton from Winnipeg,³she has played several solo gigs, participated in multi-artist bills, carried out an artistic residency in Iceland, and, this summer, became the...

• Edmonton Sound Expands

  As children, Caitlin Sian Richards and Jenna Turner both played classical music. In their 20s, they turned to different modes of artistic expression—Richards to visual art, Turner to punk...

• Edmonton Sound Expands

  “We release things on tape.”²⁸That’s Parker Thiessen’s pithy description of Pseudo Laboratories. Thiessen co-founded the label with Ian Rowley, his collaborator in the ambient music project Private Investigators. Since their...

• What’s Found & What’s Wrought: On Abbas Kiarostami’s CLOSE-UP

  So far, Cinematheque has presented the most emblematic films of Kiarostami’s career, including Through the Olive Trees (1994) and the Koker trilogy Where is the Friend’s House?, And Life...

• What’s Found & What’s Wrought: On Abbas Kiarostami’s CLOSE-UP

  Kiarostami blurs the traditional line between documentary and fiction to tell and re-tell the story in Close-Up. The people involved all play themselves in the re-enacted scenes from the...

• What’s Found & What’s Wrought: On Abbas Kiarostami’s CLOSE-UP

  Images of flowers are repeated throughout the film. A man finds flowers in a pile of scraped up refuse on the road. We then see the flowers again...

• What’s Found & What’s Wrought: On Abbas Kiarostami’s CLOSE-UP

  Close-Up brings tensions between classes into the foreground, exploring the differences of wealth and the way that people personally separate from each other as a result. The working class...

• Such partnerships, too: Eveline Kolijn’s THE OCEAN INSIDE

  The film opens with footage of waves filmed from above the water’s surface, with text on the screen that reads “We are Water” and the poetic narration setting...

• Such partnerships, too: Eveline Kolijn’s THE OCEAN INSIDE

  Kolijn’s installation relies on the integration of science technologies and art-making as a way to engage and educate viewers on important conversations about climate change and the effects of...

• Such partnerships, too: Eveline Kolijn’s THE OCEAN INSIDE

  Much has been written and discussed about the gaze of the camera: it’s patriarchal, steely glare simultaneously fetishizing and sterilizing its subjects into submission. From the lens of a...