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• George Kowalik

  *George Kowalik* is a student at King's College London, in the first year of an English Research PhD. He is a freelance arts writer who has had work published on...

• K. J. Aiello

  *K. J. Aiello* is a disabled writer whose previous publications have appeared in The Globe and Mail, This Magazine, Toronto Life, eTalk, The Loop and West End Phoenix. K. J.’s work tends to...

• Editor's Note

  It is fitting that the 20th issue of Luma Quarterly is comprised of articles all about Alberta: mainstream films shot here, the innovative distribution of media art in Edmonton, an exhibition...

• Serenity, Destruction & Inauthenticity: The Transformation of Alberta in BROKEBACK MOUNTAIN and THE REVENANT

• Digging in the Dirt: Uncovering the Silent Epidemic Among Albertan Oil Workers

• Hopping for Hope: Ahreum Lee at The New Gallery

• Serenity, Destruction & Inauthenticity: The Transformation of Alberta in BROKEBACK MOUNTAIN and THE REVENANT

  The cinematic trick of using shooting locations as stand-ins for other places has been a historically popular one. Getting spectators to forget the setting ever used to be Alberta...

• Serenity, Destruction & Inauthenticity: The Transformation of Alberta in BROKEBACK MOUNTAIN and THE REVENANT

  In Brokeback Mountain, the setting is the third protagonist alongside Jack and Ennis. Their fleeting encounters in the Wyoming mountains transform their shared desire into love from their first...

• Serenity, Destruction & Inauthenticity: The Transformation of Alberta in BROKEBACK MOUNTAIN and THE REVENANT

  After another cut, they stand in front of a messy desk, not saying a word to one another. Ennis leans against a wall with hat in right hand,...

• Serenity, Destruction & Inauthenticity: The Transformation of Alberta in BROKEBACK MOUNTAIN and THE REVENANT

  The transformed Albertan landscape is given fleeting snapshots in these opening moments, unrecognizable on account of the little time spent on them as well as the extent of the...