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Failure, Transformation, Order: Tasman Richardson's "Janus"
A combination of his once-sidelining Atari experimentations and his now-established Jawa technique, Janus stands as a new and more unpredictable manifestation of the artist’s intent to create languages of...
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Failure, Transformation, Order: Tasman Richardson's "Janus"
Something at once nostalgic and futuristic, Janus is video blasted free of the dead flesh of the figurative, a unique style of audiovisual composition where both visual and auditory elements emerge...
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Naked and Alone at The Threshold Between Two Worlds
Coloured light blazes into the gallery, tinted by vinyl applied in geometric shapes to the surrounding half-moon windows up high—a work itself titled Eyes Breathing In, Eyes Breathing Out. Appearing like...
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Fascinated and Repelled: an Interview with Lorenzo Fusi
SARAH TODD: Performing the Landscape was one of the first projects you launched almost as soon as you arrived in Calgary as Visiting Academic Curator of IKG. Your...
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Fascinated and Repelled: an Interview with Lorenzo Fusi
ST: It’s a generalization, but I think that Canada has this kind of double-edged insecurity in relation to nature and art; on one hand, Canadians are kind of...
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Concrete constructs of linearity
When I was child growing up in a small town, my mother would indulge me in a fantasy that I possessed a magical power: the power to change...
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Concrete constructs of linearity
On the morning following the performance, Kite and I sat together and shared familial anecdotes as a way of circumnavigating the work. We shared our childhood fantasies and mysticisms,...
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On Collectives, Projects, Film Itself, and a Sausage Factory
*KEVIN RICE: Based on your experience with Double Negative[http://doublenegativecollective.blogspot.ca/], what do you think is the most critical function that a film collective serves, both for the individual filmmaker as...
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On Collectives, Projects, Film Itself, and a Sausage Factory
*LM: With Process Reversal you’ve done a lot of touring, traveling, knowledge-sharing, and engagement, which is really quite different than the activities of Double Negative—would you say that those...
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On Collectives, Projects, Film Itself, and a Sausage Factory
*KR: Over the last few years, you’ve been conducting interviews and producing footage for your soon-to-be completed newest work, The Story of Film, about the state of analogue film....