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Black box, white cube, and something in the middle
But Steenbeckett works both with and beyond nostalgia, as Dr. Fowler and Dr. David Pike (Chair of the Department of Literature at American University, Washington, DC) argued. Set up...
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Requiem for a Glacier: Mourning Climate Change
One critique I have is of the inclusion of a black box which appears twice in the piece. During one section, the box begins in the centre of the screen, as seen in the above still, and...
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The Black Diaspora in Conversation: From Ousmane Sembène to Marilyn Cooke
In addition to having a young black female lead in their respective films, Cooke and Sembène successfully “memorialize the everyday” by disregarding the white gaze. The distinction between the...
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As the Mind Tracks Shape... As the Mind Recalls Sound...
In 1985, Hoffman was apprenticed to film director, screenwriter, and artist, Peter Greenaway, in Europe, where he filmed ?O,Zoo! (The Making of a Fiction Film)––nominated for Best Short Documentary...
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A Failed Poet
He was, by all accounts, an astounding polymath of a man. Passing him on the street, however, you might have mistaken him for a drifter: his teeth were...
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Homo-Sighting: Consent & Refusal of Queer Performance in Ryan Danny Owen's LOVE ME LIKE THERE'S NO TOMORROW
The emotional toll Love Me Like There’s No Tomorrow had taken on Ryan was easy to observe. After the record player’s needle finished tracing its way across the...
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About
Mandate Luma is a quarterly online publication about independent film and media art published by the Calgary Society of Independent Filmmakers and EMMEDIA Gallery & Production Society. Luma includes critical...
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Submissions
Luma accepts pitches and previously unpublished finished works that aim to expand critical dialogue about media art and film. Submission formats can include, but are not limited to: critical...
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Editor's Note
I was recently left dead inside by “Longform Journalism in the Digital Age,” a panel discussion held at the Banff Centre a few weeks ago boasting the Online...