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• Chelsea Yang-Smith

  *Chelsea Yang-Smith* is a visual artist currently based in Calgary, Alberta. Using digital and analogue photography, she merges emotional intimacy with process through monumental banners depicting the Albertan landscape...

• That Battle is Over, Girl: Alice Schoenberg

  The perceived achievement of equality is an insidious form of repression itself. It manifests in the statement, “Well I sure don’t feel oppressed”. In creating a lack of challenging...

• That Battle is Over, Girl: Alice Schoenberg

  Swaying drums link up to organs and synths that create an expanding field for Hval’s sharp-witted lyrics. She moves between deep murmurs to high crests, polysyllabic runs to drawn...

• Matthew Rankin Asks “Who Owns The Twentieth Century”?

  *GC: The heart is on the sleeve in Québec. * MR: Denis Coté, Stéphane Lafleur and Robert Morin, those are great Québécois ironists. I think for the most part, everyone...

• Being Artful: An Interview with Multimedia Artist Brad Necyk

  *SC: Due to these diverse mediums, you exhibit shows in a number of different contexts and gallery spaces. In Alberta alone to start 2020 you're participating in the...

• Matthew Rankin Asks “Who Owns The Twentieth Century”?

  *GC: I feel like it comes across in the film. Even the acting, everyone seems very much living in the world you created. It’s like they bought in...

• Matthew Rankin Asks “Who Owns The Twentieth Century”?

  *GC: So, the history of Canada is fermenting in your mind, and then Mackenzie King comes along. When does everything begin to converge with film?* MR: Well, I read...

• Matthew Rankin Asks “Who Owns The Twentieth Century”?

  *GC: There’s something so Canadian about that.* MR: Yes! We’re living in this very binary era and the elastic is really stretching to the snapping-point. So the centre is...

• That Battle is Over, Girl: Alice Schoenberg

  During the performance Ladder(Later)al Movement (2019), my gaze wanders to the top of a yellow ladder, where the superwoman balances perilously on the steps. The precarious tension of watching...

• Being Artful: An Interview with Multimedia Artist Brad Necyk

  *SC: Your process involves immersing yourself in Canadian communities and with people experiencing illness. What Canadian communities have your collaborations taken you to and what have you taken with...