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• Editor's Note

  I am grateful to be given the opportunity by EMMEDIA and CSIF to edit this 25th publication milestone. Thanks also to the editorial committee for this issue: Suzette Chan, Katie...

• Finding Community in Unfolding Spaces: An Interview with Vicki Van Chau

  *TT: *Being involved in EMMEDIA helped foster my sense of how I want to approach my work as an artist. At the time, there were opportunities you encouraged...

• The SMELL DA COFFEE TV Sitcom Pilot: How Black? How Funny?

  The pilot delicately handles the scene where Uzo-Amani’s progressively, according to their family, “bizarre”, dress sense is finally explained in a heated confrontation with her parents. She reveals her...

• The SMELL DA COFFEE TV Sitcom Pilot: How Black? How Funny?

  These markers critically help to provide a sense of inclusion to those of us whose cultures are featured in the pilot, as well as indicate that other Afro-Canadian traditions...

• The Black Diaspora in Conversation: From Ousmane Sembène to Marilyn Cooke

  I was struck by Keity’s features; her dominance as the central figure of the film evoked memories of Ousmane Sembène’s 1966 film Black Girl [La Noire de…].  The third...

• The Black Diaspora in Conversation: From Ousmane Sembène to Marilyn Cooke

  Mati Diop has downplayed Sembène’s influence on her work in favour of her uncle, Djibril Diop Mambety’s filmography. Samba Gadjigo, the foremost scholar on Sembène, argues that  Sembène paved...