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  • Requiem for a Glacier: Mourning Climate Change

    One critique I have is of the inclusion of a black box which appears twice in the piece. During one section, the box begins in the centre of the screen, as seen in the above still, and...

  • The Language of Trees

           The Heritage Tree                         I think the tree is an element of regeneration which in itself is a concept of time. Trees have always been a form of sculpture,...

  • The Black Diaspora in Conversation: From Ousmane Sembène to Marilyn Cooke

    In addition to having a young black female lead in their respective films, Cooke and Sembène successfully “memorialize the everyday” by disregarding the white gaze. The distinction between the...

  • As the Mind Tracks Shape... As the Mind Recalls Sound...

    In 1985, Hoffman was apprenticed to film director, screenwriter, and artist, Peter Greenaway, in Europe, where he filmed ?O,Zoo! (The Making of a Fiction Film)––nominated for Best Short Documentary...

  • A Failed Poet

    He was, by all accounts, an astounding polymath of a man. Passing him on the street, however, you might have mistaken him for a drifter: his teeth were...

  • Homo-Sighting: Consent & Refusal of Queer Performance in Ryan Danny Owen's LOVE ME LIKE THERE'S NO TOMORROW

    The emotional toll Love Me Like There’s No Tomorrow had taken on Ryan was easy to observe. After the record player’s needle finished tracing its way across the...

  • About

    Mandate Luma is a quarterly online publication about independent film and media art published by the Calgary Society of Independent Filmmakers and EMMEDIA Gallery & Production Society. Luma includes critical...

  • Ektoplasm-o-vision! with Guy Maddin

    Over the last five years, Maddin has obsessed over remaking lost and unrealized films from cinema’s early decades, a period from which only a small fraction of films...

  • Özgün Eylül İşcen

    Özgün Eylül İşcen is a 3rd year PhD student in Computational Media, Arts and Cultures at Duke University. Her interest in new media theory and practice is situated...

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