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• Demons and Demonization: Filming the Anti-Dungeons & Dragons Hysteria

  Today it is striking how non-hysterical Mazes and Monsters is. Its TV movie glossiness makes it appear neutered and anodyne. Its score is especially saccharine. The other gamers are...

• Demons and Demonization: Filming the Anti-Dungeons & Dragons Hysteria

  Skullduggery has elements of a slasher film and of a demonic possession film but regularly swerves into other genres with little warning. It even becomes a teen comedy...

• Requiem for a Glacier: Mourning Climate Change

  The text sung by the solo vocalist and chorus during the first two movements of the requiem are based on a Latin translation of a 2012 BC government press release that approved the construction of the year-round Jumbo Glacier Resort for skiing.⁵The last two...

• Editor's Note

  These questions seem particularly poignant as we enter our second Fall season of the pandemic. With almost 27,000 deaths in Canada from the disease and a fourth wave...

• Materiality, Interaction, and the Other: Colton Hash & Freya Olafson

  In the 2017 video installation Painting with the Man, Olafson questions the instrumentalization of women’s bodies in Yves Klein’s 1962 Anthropométries series where he covered women in his patented blue paint and made prints of...

• Behind the Screen: Lessons from Making IN PLAINVIEW

  Watterworth chimed in adding that visually it’s akin to Hell or High Water[https://www.imdb.com/title/tt2582782/?ref_=fn_al_tt_1], a slow-burn story of two brothers who turn to bank robbing when they can’t pay the mortgage...

• Behind the Screen: Lessons from Making IN PLAINVIEW

  *TH: While you can easily access In Plainview anytime you want via Amazon’s streaming service, the road to getting it on there wasn’t nearly as quick as logging...

• PRAYER FOR A LOST MITTEN: An Interview with Jean-Francois Lesage

  *Guillaume Carlier (GC): Was it a surprise when you won?* Jean-Francois Lesage (JL): Yes, it was a surprise. Usually in a festival you would be going to the...

• The Art Experience vs The Art Object: Performing Arts in the Digital Realm

  I am an interdisciplinary performing arts creator and producer working out of Treaty 6 Amiskwaciywâskahikan-Edmonton and Treaty 7 Mohkínstsis-Calgary. When the first wave of COVID-19 hit our cities in 2020,...

• The Art Experience vs The Art Object: Performing Arts in the Digital Realm

  A year and a half into the pandemic, and while we may have gotten technically better (audio mixing/switching blunders are less common, for example), we still haven’t entirely figured...