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Behind the Screen: Lessons from Making IN PLAINVIEW
Watterworth chimed in adding that visually it’s akin to Hell or High Water[https://www.imdb.com/title/tt2582782/?ref_=fn_al_tt_1], a slow-burn story of two brothers who turn to bank robbing when they can’t pay the mortgage...
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Behind the Screen: Lessons from Making IN PLAINVIEW
But for filmmakers applying to the Talent to Watch program, there are a few deliverables you’ll need to keep in mind including a rough cut of the film,...
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Behind the Screen: Lessons from Making IN PLAINVIEW
*TH: While you can easily access In Plainview anytime you want via Amazon’s streaming service, the road to getting it on there wasn’t nearly as quick as logging...
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PRAYER FOR A LOST MITTEN: An Interview with Jean-Francois Lesage
*Guillaume Carlier (GC): Was it a surprise when you won?* Jean-Francois Lesage (JL): Yes, it was a surprise. Usually in a festival you would be going to the...
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PRAYER FOR A LOST MITTEN: An Interview with Jean-Francois Lesage
*GC: I think too, the choice of ending the film with collective hope rather than individual hope, can help. Especially because individual hope can be lonely, or even delusional....
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The Art Experience vs The Art Object: Performing Arts in the Digital Realm
I am an interdisciplinary performing arts creator and producer working out of Treaty 6 Amiskwaciywâskahikan-Edmonton and Treaty 7 Mohkínstsis-Calgary. When the first wave of COVID-19 hit our cities in 2020,...
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The Art Experience vs The Art Object: Performing Arts in the Digital Realm
A year and a half into the pandemic, and while we may have gotten technically better (audio mixing/switching blunders are less common, for example), we still haven’t entirely figured...
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The Art Experience vs The Art Object: Performing Arts in the Digital Realm
The performing arts are live. Dance-on-film has a rich history and animated objects are as often spotted on the screen (stop-motion, muppets, etc.) as on the stage, but...
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The Art Experience vs The Art Object: Performing Arts in the Digital Realm
To achieve liveness, at some point, you must be live. You cannot replicate that moment of the shredded canvas, and pre-recorded content can be perfectly copied again and...
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The Art Experience vs The Art Object: Performing Arts in the Digital Realm
For people like me trying to turn robotic, audience-controlled fish into our scene partners – it’s a good reminder that we don’t have to go it alone all...