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St. Martins, New Brunswick
The trails leading to the caves are overrun with calf-like children and their heifer mothers. In defiance, I discover untraveled, rocky ledges, grab branches for support—nettles catching, but not...
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St. Martins, New Brunswick
My boots draw pools of water that suck themselves flat. Folded on rose-bordered stationary, a letter sticks under the band of my bralette (that’s what the saleswoman called it)....
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St. Martins, New Brunswick
I’m digging into half a grapefruit when Looney darts from under the bed and arcs onto the windowsill. It’s open, not to the sea but to an alley...
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St. Martins, New Brunswick
My bralette is salted with sweat stains. I tuck the letter in its lace and stretch an elastic band around the shoebox. Lou is cheep-cheeping, so she must...
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Performing objects, readymade bodies
Another example of dance documented on film, Walkaround Time was filmed on 16 mm in two parts over a span of four years, and in two locations: 1969...
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Don’t just sit, don’t just stop
Bonum [bo-NOOM], meaning “do for good anyways,” is a series of dream sequences between four dancers, choreographed and directed by Sabrina Naz Comanescu, and filmed and edited by Aran...
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Don’t just sit, don’t just stop
*LUMA: How did the idea behind Bonum develop?* Sabrina Naz Comanescu: I guess the story's pretty personal to me. I was in a moment in my life where I...
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Don’t just sit, don’t just stop
*LUMA: You can engage with more of your senses too because there's music happening, there's movement; there's an emotional exchange that you get to be a part of,...
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Performing objects, readymade bodies
they danced with the understanding that this was for them, eventually it was, a 32-minute video, plays on loop at the back of the space: a collage of...
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Don’t just sit, don’t just stop
*LUMA: Yeah, that was one of my favourite parts—how it's so conversational... There’s a Romanian and then an English voice, and they’re all speaking really poetically, and whatever they...