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Edmonton Sound Travels
Shawn Pinchbeck The “Shawn” that Dion mentioned was Shawn Pinchbeck, who was just 15 when he showed up on CJSR's doorstep with tapes of his own original music. “We would...
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The Darkened Room and Reflected Magic: Donald Lawrence and the Camera Obscura
The siting of Nanton’s Camera Obscura is very deliberate. When asked about its placement, Lawrence responded, “While we looked at a couple of other locations around the perimeter of...
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The Darkened Room and Reflected Magic: Donald Lawrence and the Camera Obscura
Yanking with all my might causes the door to close with a thunk. A final sound. The room seems even darker. As I turn, the light on the...
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Equinox Vigil in Calgary’s Historic Union Cemetery 2012 –2018: A Farewell
Afterword by Aran Wilkinson-Blanc A tray of sugar skulls with our names on them, in a cemetery, after dark. It was around August that a group of artists, technicians, and...
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Creation, Loss, and Rediscovery: On Sandi Tan’s SHIRKERS
These are snippets from Shirkers, the first feature made by Singaporean filmmaker Sandi Tan in the early 90s when she was nineteen. There is no sound in the...
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Creation, Loss, and Rediscovery: On Sandi Tan’s SHIRKERS
The exploration of what happened that summer, when Tan and her friends decided to make a movie, is a messy dive twenty years into the past. The documentary...
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Creation, Loss, and Rediscovery: On Sandi Tan’s SHIRKERS
Tan’s concept for the original Shirkers film is rooted in her upbringing in Singapore, a sweaty little island with a government that stressed politeness and decorum, going so far...
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Creation, Loss, and Rediscovery: On Sandi Tan’s SHIRKERS
Though I wish we could see the original film on its own, separate from the backstory of Cardona, his imprints are everywhere in the documentary Shirkers. The two...
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Creation, Loss, and Rediscovery: On Sandi Tan’s SHIRKERS
Regardless of the dynamics between her friends and Cardona, she was determined to do whatever she needed to get her film made. Talking about the production, Tan equates...
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Creation, Loss, and Rediscovery: On Sandi Tan’s SHIRKERS
Though what remains of the original Shirkers film is soundless, it is still very much alive. Watching the footage Tan salvaged from the recovered film canisters, there is...