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• On Collectives, Projects, Film Itself, and a Sausage Factory

  *KR: And, of course, there is no singular answer to the problem of inclusion in our community, but what would you say is the best step that organizations—including film collectives...

• Human Rights and Film at 150

   *ALANA CONWAY: Our Canada, My Story focuses on seven short films to explore the lived experience of Canadians from across the country. Why did you choose these individuals, and...

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• Human Rights and Film at 150

  *AC: Do any of the stories here offer a challenge or corrective to common myths about Canadian history and identity?* JP: While the stories in these films are hopeful...

• Human Rights and Film at 150

  *AC: Most museums focus on artifacts and material culture, whereas the CMHR tends to focus more on personal experience and storytelling. How do you see the potential of...

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• Human Rights and Film at 150

  *AC: What were some of the technical challenges in developing this exhibit?* JP: The exhibition is comprised of seven intimate, circular spaces throughout the gallery, one for each film. Each...

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• The Language of Trees

         The Heritage Tree                         I think the tree is an element of regeneration which in itself is a concept of time. Trees have always been a form of sculpture,...

• Stephen Broomer

  *Stephen Broomer* is a filmmaker and film preservationist based in Toronto. He holds a BFA in Film and Video Production, an MA in Film Studies, and a PhD in Communication...