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  • Ektoplasm-o-vision! with Guy Maddin

    Over the last five years, Maddin has obsessed over remaking lost and unrealized films from cinema’s early decades, a period from which only a small fraction of films...

  • A Failed Poet

    He was, by all accounts, an astounding polymath of a man. Passing him on the street, however, you might have mistaken him for a drifter: his teeth were...

  • Özgün Eylül İşcen

    Özgün Eylül İşcen is a 3rd year PhD student in Computational Media, Arts and Cultures at Duke University. Her interest in new media theory and practice is situated...

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  • Our Lexicon of Dark Corners to Light Up is Always Expanding

    LUMA: The details of the individual collective members aren’t currently available on your website. Can you speak to your decision to present Iris as a discrete entity (at least...

  • A Failed Poet

    Frampton had a fraught relationship with the parts of the world that wanted him to be the person he was in the photograph in (nostalgia): the bookish, buttoned-down “leering”...

  • Turtles All The Way Down

    The main actors in Stephen’s narrative are the wasp and orchid. They fuse together, the Milky Way and Andromeda galaxies collide, and so art gives form and shape...

  • A Failed Poet

    But for all (or perhaps because of) its genius, Frampton’s work could be hard to sit through, especially in a public theatre setting. Somewhat like how the best...

  • Our Lexicon of Dark Corners to Light Up is Always Expanding

    LUMA: This might be a good opportunity to speak about your current residency at Falaise Park Field House, which continues through 2017. IRIS: The Fieldhouse residency has really allowed...

  • Our Lexicon of Dark Corners to Light Up is Always Expanding

    IRIS: Celluloid does carry a certain element of community in that it is a way of gathering a group of people together to experience something collectively—the analog aspect...

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