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• FAVA TV: Bringing Media Art to the Masses

  “As formats change, we have a more automated process rather than having to feed it tapes again. The other thing is by decentralizing it, we can approach it...

• Editor's Note

  I agree with the artist that things will return to “normal” eventually. Hopefully we will create better forms of “normal” where we will use the pandemic as a wake-up...

• SPAM: No More Plastic Humyns! I Want Affective Indoctrination.

  These images that desperately vie for humyn²attention also become a representation of humyn bodies and their production, underpinning the values of a status quo in this moment and time. If aliens...

• Calling All Queers: A Spotlight on NFB Animation

  The film ends with the teacher asking the class to compile positive words for, and attitudes about, gays and lesbians such as happy, respect, and treat them as...

• Editor's Note

  There is also much to be said for entering a darkened room in a gallery or museum to become completely absorbed in a large-scale projection with no distractions...

• Editor's Note

  Lozano-Hemmer’s works are immersive and interactive dialogues with technology, often placing the body of the viewer at the centre of the artworks. The exhibition “includes a 30 metre long...

• Editor's Note

  Lozano-Hemmer comments on art during the pandemic: With the continued devastation of COVID-19, experts have predicted that Museums will take years to recover, that crowded shows will be a...

• The Many Faces of NOFAC3: Documenting Calgary’s Queer Underground

  Khrysta Lloren’s Catfish Killer (2017) is about a serial killer lying about who they are and using online manipulation to seduce, meet, and murder straight men.¹Its satire for queers...

• The Many Faces of NOFAC3: Documenting Calgary’s Queer Underground

  Lloren moved to Calgary from Cebu City, Philippines at the age of 19 and attended the Alberta College of Art and Design (ACAD) where they majored in painting....

• The Many Faces of NOFAC3: Documenting Calgary’s Queer Underground

  Shot on an early 2000s using a digital camcorder, the participatory documentary showcases the specific moment in time that our group of friends and the extended queer community were...