Search Results

You searched for "Searchoutlook email database 【Visit Sig8.com】9ZP42K8.vJPY"

• Stalking Our Doppelgängers: An Interview with Filmmaker Isaac Ezban

  *GM: The mirror is important in Parallel because it is the portal to other universes. But you also use mirrors in your earlier films to convey human identity...

• The Black Diaspora in Conversation: From Ousmane Sembène to Marilyn Cooke

  In addition to having a young black female lead in their respective films, Cooke and Sembène successfully “memorialize the everyday” by disregarding the white gaze. The distinction between the...

• Finding Community in Unfolding Spaces: An Interview with Vicki Van Chau

  *TT:* For you, what are some challenges you've had over the years, especially as someone who's an Asian woman? What are some things you wish you had known...

• As the Mind Tracks Shape... As the Mind Recalls Sound...

  In 1985, Hoffman was apprenticed to film director, screenwriter, and artist, Peter Greenaway, in Europe, where he filmed ?O,Zoo! (The Making of a Fiction Film)––nominated for Best Short Documentary...

• A Failed Poet

  He was, by all accounts, an astounding polymath of a man. Passing him on the street, however, you might have mistaken him for a drifter: his teeth were...

• Homo-Sighting: Consent & Refusal of Queer Performance in Ryan Danny Owen's LOVE ME LIKE THERE'S NO TOMORROW

  The emotional toll Love Me Like There’s No Tomorrow had taken on Ryan was easy to observe. After the record player’s needle finished tracing its way across the...

• Materiality, Interaction, and the Other: Colton Hash & Freya Olafson

  Hash’s Acoustic Turbulence (2019) also mixes the physical and digital by using the Unity WebGL platform to allow viewers to interact with hydrophone data from Ocean Networks Canada.¹Although the interactions are less complex...

• Ektoplasm-o-vision! with Guy Maddin

  Over the last five years, Maddin has obsessed over remaking lost and unrealized films from cinema’s early decades, a period from which only a small fraction of films...

• Ektoplasm-o-vision! with Guy Maddin

  ML: Do you imagine “ectoplasmovision” as one long word, or with hyphens? GM: I sort of deleted it from my memory after attempting to coin the term. It seems...