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  • thirstDays No.08: SO WIDE SO LOW SO HIGH

    The first piece to be introduced is the short film, The Last of the Nepinaks (2005) by Skownan First Nation artist Darryl Nepinak. The film follows a toddler...

  • About

    Mandate Luma is a quarterly online publication about independent film and media art published by the Calgary Society of Independent Filmmakers and EMMEDIA Gallery & Production Society. Luma includes critical...

  • Past Issues

  • Submissions

    Luma accepts pitches and previously unpublished finished works that aim to expand critical dialogue about media art and film. Submission formats can include, but are not limited to: critical...

  • Alana Conway

    *Alana Conway* is an independent researcher residing in Calgary, Alberta. She completed a Masters of Anthropology at Carleton University in 2011, with a thesis focusing on Roma Refugee Claimants...

  • Editor's Note

    I was recently left dead inside by “Longform Journalism in the Digital Age,” a panel discussion held at the Banff Centre a few weeks ago boasting the Online...

  • Ektoplasm-o-vision! with Guy Maddin

    Over the last five years, Maddin has obsessed over remaking lost and unrealized films from cinema’s early decades, a period from which only a small fraction of films...

  • Warp/Weft/Wept

    A three-part digital drapery study, Jasmin’s review of the word felt—as in haptic and emotive, tactile and affective—echoes triptych tradition. With what seem to be details of hair, oil...

  • A Failed Poet

    He was, by all accounts, an astounding polymath of a man. Passing him on the street, however, you might have mistaken him for a drifter: his teeth were...

  • Özgün Eylül İşcen

    Özgün Eylül İşcen is a 3rd year PhD student in Computational Media, Arts and Cultures at Duke University. Her interest in new media theory and practice is situated...