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• The Art Experience vs The Art Object: Performing Arts in the Digital Realm

  I am an interdisciplinary performing arts creator and producer working out of Treaty 6 Amiskwaciywâskahikan-Edmonton and Treaty 7 Mohkínstsis-Calgary. When the first wave of COVID-19 hit our cities in 2020,...

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• The Art Experience vs The Art Object: Performing Arts in the Digital Realm

  A year and a half into the pandemic, and while we may have gotten technically better (audio mixing/switching blunders are less common, for example), we still haven’t entirely figured...

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• The Art Experience vs The Art Object: Performing Arts in the Digital Realm

  The performing arts are live. Dance-on-film has a rich history and animated objects are as often spotted on the screen (stop-motion, muppets, etc.) as on the stage, but...

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• The Art Experience vs The Art Object: Performing Arts in the Digital Realm

  What these audiences, our audiences, want from performing arts are art experiences. They can get their art objects elsewhere, and frankly, they can get better art objects by better...

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• The Art Experience vs The Art Object: Performing Arts in the Digital Realm

  To achieve liveness, at some point, you must be live. You cannot replicate that moment of the shredded canvas, and pre-recorded content can be perfectly copied again and...

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