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• Keep it loose: a short history of the Artifact Small Format Film Festival

  The third person Pepper mentioned was Stephen Hanon, one of the board members that welcomed Morison’s original $100FF pitch. Hanon was a film enthusiast, and the soon-to-be editor of...

• New Images Row

• Keep it loose: a short history of the Artifact Small Format Film Festival

  Now in its 26th year, and in the same shape-shifting adventurous spirit, $100FF has donned a new but familiar name: Artifact Small Format Film Festival. It is a...

• The Channelers

    *I: False Impressions of Actualizing the Marxist Dream*   Back in 2009, Hito Steyerl’s essay, “In Defense of the Poor Image,” championed the low-resolution, degraded image. She saw the “poor...

• New Images Row

• The Channelers

  Like the social imaginary of democracy as a form of participatory politics, networked media is believed to be a platform for free expression, a flagship for equal participation. At...

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• The Channelers

  Since the explosion of net art and hacker culture in the 1990s, some have celebrated Internet’s capacity for collective action, where others have criticized the increased speed of information,...

• New Images Row

• The Channelers

  Wendy Hui Kyong Chun, media scholar and author of Programmed Visions: Software and Memory (2011) and Updating to Remain the Same: Habitual New Media[https://mitpress.mit.edu/books/updating-remain-same] (2016), has also criticized the fetishization...