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• The Texture of the Gesture: Exploring Apostasy and Ancestry in Jeremy Moss' THESE WAYS I TRANSGRESS

  Moss is now a self-professed atheist, although even this allegiance makes him uneasy; “I am averse to any/all absolutes. I don't believe in god, but I don't want...

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• The Texture of the Gesture: Exploring Apostasy and Ancestry in Jeremy Moss' THESE WAYS I TRANSGRESS

  Beyond this material treatment, the process of recording images for the film may be the most compelling element of the work. Moss travelled with his family (a trip...

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• The Texture of the Gesture: Exploring Apostasy and Ancestry in Jeremy Moss' THESE WAYS I TRANSGRESS

  Much of the imagery in the film, the landscapes, people, and audio recordings were the result of Moss’ travels and discoveries with Leigh Moss, who left the LDS...

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• The Texture of the Gesture: Exploring Apostasy and Ancestry in Jeremy Moss' THESE WAYS I TRANSGRESS

  Although Moss has disavowed his religious heritage, he has not been able to deny the strong sense of kinship and pride he holds for his family and his...

• THUMBS THAT TYPE AND SWIPE: The DIS Collective at Plug In ICA

  Facing the AV equipment was a couch made of small, square hay bales, the type that was ubiquitous on Prairie farms into the 1970s, and for which I...

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• THUMBS THAT TYPE AND SWIPE: The DIS Collective at Plug In ICA

  This video was followed by Reparation Hardware[https://www.youtube.com/watch?v=7COHTosrPgE], a gentle satire by Ilana Harris-Babou, about a project to repurpose artifacts from the United States’ slavery-driven homesteading past to build a more...