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Telling Women’s Stories: A Spotlight on NFB Animation
Albertine Zullo and David Toutevoix’s The Cannonball Woman (2017) is about Madeline, a woman who loves to fly through the air after being shot out of a cannon....
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Telling Women’s Stories: A Spotlight on NFB Animation
She takes up a job as a bearded lady in a sideshow but eventually comes back to her partner. It would seem that she misses flying through the...
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A Formalism of Feeling: Queer Temporalities and Memory in PORTRAIT OF A LADY ON FIRE
The temporal structure takes us from the film’s present to the past of memory, or what theorist Gilles Deleuze calls “a sheet of the past.”1 The opening credits are...
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A Formalism of Feeling: Queer Temporalities and Memory in PORTRAIT OF A LADY ON FIRE
The film’s slowness is essential to its nuanced development of desire over time, but the queer optics of this timeliness are challenged by Rosalind Galt and Karl Schoonover’s arguments around the queer potentials...
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A Formalism of Feeling: Queer Temporalities and Memory in PORTRAIT OF A LADY ON FIRE
As the dynamics between the women transform from an aching desire to becoming passionate lovers, the function of the film’s slow tempo and careful gaze begin to change....
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A Formalism of Feeling: Queer Temporalities and Memory in PORTRAIT OF A LADY ON FIRE
It is noteworthy that during Marianne’s final days, she is haunted by prophetic, images of Héloïse in her wedding dress. Occurring right before having sex with Héloïse for the first time, and...
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