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• Fostering Women and Filmmaking: 30 Years of Herland

  The recent mentorship screening began with Lydia Adair's Errands, a multi-threaded film that examines the intersecting lives of people who meet in line at the bank. Adair’s narrative is...

• Fostering Women and Filmmaking: 30 Years of Herland

  Somers remembers a far different political climate from today. Feminist films, especially those that openly dealt with women’s bodies and sexuality, were considered controversial by the mainstream. Criticism came...

• Fostering Women and Filmmaking: 30 Years of Herland

  Somers made it her goal to work against this pattern, and looked for ways to bridge the gap and bring women’s voices forward. She theorizes that emerging female...

• Machine Language Protocol: Jeremy Shaw’s QUANTIFICATION TRILOGY

  The “interviews” and the rest of Quickeners, has been reworked from real-world documentary footage about a snake-handling Evangelical Christian sect from Appalachia in mid-century America. The black and white...

• Machine Language Protocol: Jeremy Shaw’s QUANTIFICATION TRILOGY

  I Can See Forever, the final film in the trilogy, shifts its filmic style into a kind of mid-nineties documentary interview show in the style of Discovery Channel programming....

• Nina Staum

  *Nina Staum* has a diploma in TV production from SAIT, and has been working in television and post-production for the past 20 years. She enjoys variety and working...

• Jason Purcell

  *Jason Purcell* is a writer and musician living and working on Treaty 6 territory in Edmonton, Alberta. He is Interviews Editor for Glass Buffalo, Circulation Coordinator for Eighteen Bridges,...

• Matt Bowes

  *Matt Bowes* is the General Manager of NeWest Press, a non-profit literary publisher located in Edmonton, Alberta. An avid film fan, he co-hosts Bollywood is for Lovers, a bi weekly podcast...

• Equinox Vigil in Calgary’s Historic Union Cemetery 2012 –2018: A Farewell

  Equinox Vigil was a free, family-friendly and non-religious evening to remember the dead in an artist-led, participatory way that over 500 people a year experienced as moving and magical. The...

• Creation, Loss, and Rediscovery: On Sandi Tan’s SHIRKERS