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• Intimacy and Distance: Mona Hatoum at the Western Front

  One might suppose that the fragmentation of the body creates a disconnection between viewer and object so that the viewer is unable to relate the videos to their...

• The Monsters Are Due in Calgary: RED LETTER DAY and the Suburban Gothic

  While Calgary’s official brand splits the difference between anachronistic fantasies of rural simplicity and the skyscraper-strewn capitalist mecca, the reality is that suburbia vastly outstrips them both. It’s perhaps...

• Matthew Rankin Asks “Who Owns The Twentieth Century”?

• Being Artful: An Interview with Multimedia Artist Brad Necyk

  *SC: Due to these diverse mediums, you exhibit shows in a number of different contexts and gallery spaces. In Alberta alone to start 2020 you're participating in the...

• That Battle is Over, Girl: Alice Schoenberg

  Her superwoman character appears in THIS IS A PROTEST (2018), performed in the dark and highlighted by a strong incandescent spotlight, and a projection on the back wall. The...

• Matthew Rankin Asks “Who Owns The Twentieth Century”?

  *GC: I feel like it comes across in the film. Even the acting, everyone seems very much living in the world you created. It’s like they bought in...

• Matthew Rankin Asks “Who Owns The Twentieth Century”?

  *GC: So, the history of Canada is fermenting in your mind, and then Mackenzie King comes along. When does everything begin to converge with film?* MR: Well, I read...

• Matthew Rankin Asks “Who Owns The Twentieth Century”?

  *GC: There’s something so Canadian about that.* MR: Yes! We’re living in this very binary era and the elastic is really stretching to the snapping-point. So the centre is...

• That Battle is Over, Girl: Alice Schoenberg

  During the performance Ladder(Later)al Movement (2019), my gaze wanders to the top of a yellow ladder, where the superwoman balances perilously on the steps. The precarious tension of watching...

• That Battle is Over, Girl: Alice Schoenberg

  In employing scrolling text and found footage of the Women’s March, the superwoman demonstrates the failures of this march, pointing to the consumption of activist image and failed integration...