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• Behind the Screen: Lessons from Making IN PLAINVIEW

  The film follows the colliding worlds of ex-cops and former partners, Penner (Aaron Douglas) and Rand (Stafford Perry). Fresh out of jail, Penner is on the hunt for...

• Behind the Screen: Lessons from Making IN PLAINVIEW

  Watterworth chimed in adding that visually it’s akin to Hell or High Water[https://www.imdb.com/title/tt2582782/?ref_=fn_al_tt_1], a slow-burn story of two brothers who turn to bank robbing when they can’t pay the mortgage...

• Behind the Screen: Lessons from Making IN PLAINVIEW

  But for filmmakers applying to the Talent to Watch program, there are a few deliverables you’ll need to keep in mind including a rough cut of the film,...

• Behind the Screen: Lessons from Making IN PLAINVIEW

  *TH: No one denies that having more money can help you make a better film. But having a smaller budget shouldn’t limit you to making a lower-quality film....

• Behind the Screen: Lessons from Making IN PLAINVIEW

  *TH: While you can easily access In Plainview anytime you want via Amazon’s streaming service, the road to getting it on there wasn’t nearly as quick as logging...

• Behind the Screen: Lessons from Making IN PLAINVIEW

  *TH: Whether you’re on your first film or your last, filmmaking is a learning process. There’s always something you wish you knew, something you could have done better.  What...

• PRAYER FOR A LOST MITTEN: An Interview with Jean-Francois Lesage

  In Jean-Francois Lesage’s 2020 documentary, Prière pour une mitaine perdu (Prayer for a lost mitten), we watch, with voyeur intimacy, the night thoughts of various citizens in Montréal, as...

• PRAYER FOR A LOST MITTEN: An Interview with Jean-Francois Lesage

  *Guillaume Carlier (GC): Was it a surprise when you won?* Jean-Francois Lesage (JL): Yes, it was a surprise. Usually in a festival you would be going to the...

• PRAYER FOR A LOST MITTEN: An Interview with Jean-Francois Lesage

  *GC: Can you explain a bit more about starting a documentary from a feeling rather than a subject matter?* JL: I really tried to build an atmosphere, so...

• PRAYER FOR A LOST MITTEN: An Interview with Jean-Francois Lesage

  *GC: What I like about the structure is that it's not auteur driven. It starts with the subjects, and you create the story with the subjects. In a...