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• Editor's Note

  I was recently left dead inside by “Longform Journalism in the Digital Age,” a panel discussion held at the Banff Centre a few weeks ago boasting the Online...

• Ektoplasm-o-vision! with Guy Maddin

  Over the last five years, Maddin has obsessed over remaking lost and unrealized films from cinema’s early decades, a period from which only a small fraction of films...

• Our Lexicon of Dark Corners to Light Up is Always Expanding

  LUMA: The details of the individual collective members aren’t currently available on your website. Can you speak to your decision to present Iris as a discrete entity (at least...

• A Failed Poet

  Frampton had a fraught relationship with the parts of the world that wanted him to be the person he was in the photograph in (nostalgia): the bookish, buttoned-down “leering”...

• Nick Johnson

  *Nick Johnson* graduated from the Illustration program of the Alberta College of Art + Design in 2013 and has been freelancing and comic book making ever since. He is...

• Jason Edward Lewis: The Indigenous Future Imaginary

  LUMA: What programs or mandates would you like to see in place in order to support visibility of this kind of work going into the future? ...

• thirstDays No.08: SO WIDE SO LOW SO HIGH

  Having covered love and intimacy, they move onto compassion, nearly getting hit by the “Settler Shame Train,” and moving into the segment titled “White Settler Girl Who Feels Really...

• Alexa Bunnell

  *Alexa Bunnell* is an emerging artist, writer, and fermenter. Their practice is currently based in Mohkinstsís (Calgary, AB) on Treaty 7 Territory. Adoration, playfulness, and multi-species conspirators guide their practice...

• Human Rights and Film at 150

  *AC: Most museums focus on artifacts and material culture, whereas the CMHR tends to focus more on personal experience and storytelling. How do you see the potential of...

• Human Rights and Film at 150

  *AC: The CMHR is located in Winnipeg and as a national museum celebrates stories from across Canada and around the globe. How have you enabled people to engage...