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Nancy Webb
*Nancy Webb* is a Montreal-based writer and comedian. She is the founding editor-in-chief of Spiffy Moves[http://www.spiffymoves.com/].
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1700 films, 1000 people, and 150 clubs: a not-so-Amateur Movie Database
Amateur films encompass many different types of genres and stylistic forms from spontaneous domestic family movies, to carefully edited travelogues and fiction films. Despite the genreâs multiformity, research in...
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1700 films, 1000 people, and 150 clubs: a not-so-Amateur Movie Database
AMDBâs research team also works with librarians, data specialists, and archivists to continuously enhance records in addition to expaning the database. Records are enhanced by adding archival film holdings...
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THUMBS THAT TYPE AND SWIPE: The DIS Collective at Plug In ICA
This video was followed by Reparation Hardware[https://www.youtube.com/watch?v=7COHTosrPgE], a gentle satire by Ilana Harris-Babou, about a project to repurpose artifacts from the United Statesâ slavery-driven homesteading past to build a more...
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B.G-Osborne's A THOUSAND CUTS: Misconceptions of Trans People in Popular Culture
Thompson praises Osborneâs work, âI never felt that I saw someone like me represented on screen until I saw Sense8.9A Thousand Cuts shows just how rare a truthful portrayal...
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Suzette Chan
*Suzette Chan* is an Edmonton-based journalist who has written about the visual arts, the performing arts, and the literary arts. She is a member of the editorial collective of...
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Stalking Our Doppelgängers: An Interview with Filmmaker Isaac Ezban
*GM: The mirror is important in Parallel because it is the portal to other universes. But you also use mirrors in your earlier films to convey human identity...
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The Sounds and Sights of Dance: Rosanna Terracciano's A QUIET FLAMENCO
Despite its title, this series of films is anything but quiet. Terraccianoâs use of the adverb speaks more to her approach of capturing how each artist dances. She...
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Homo-Sighting: Consent & Refusal of Queer Performance in Ryan Danny Owen's LOVE ME LIKE THERE'S NO TOMORROW
The emotional toll Love Me Like Thereâs No Tomorrow had taken on Ryan was easy to observe. After the record playerâs needle finished tracing its way across the...
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Homo-Sighting: Consent & Refusal of Queer Performance in Ryan Danny Owen's LOVE ME LIKE THERE'S NO TOMORROW
Jones has exhibited the unedited, soundless footage at numerous exhibitions across the world, including the 2008 Whitney Biennial. Rather than editing the footage, the impact of Jonesâs showing the...