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• The 10th Alberta Biennial

  The video starts in a dark cave draped with a host of stalactites, shrouded in soft synth sound. Absurd and whimsical forms emerge from the transmuting landscape of Devon Beggs's Echo's...

• The 10th Alberta Biennial

  Delightfully, it asks me to swipe right if “It frustrates me to not understand how something works.” And I am frustrated by the unclear ways that my answers...

• St. Martins, New Brunswick

  My boots draw pools of water that suck themselves flat. Folded on rose-bordered stationary, a letter sticks under the band of my bralette (that’s what the saleswoman called it)....

• St. Martins, New Brunswick

  My bralette is salted with sweat stains. I tuck the letter in its lace and stretch an elastic band around the shoebox. Lou is cheep-cheeping, so she must...

• Performing objects, readymade bodies

  Another example of dance documented on film, Walkaround Time was filmed on 16 mm in two parts over a span of four years, and in two locations: 1969...

• Don’t just sit, don’t just stop

  *LUMA: How did the idea behind Bonum develop?* Sabrina Naz Comanescu: I guess the story's pretty personal to me. I was in a moment in my life where I...

• Don’t just sit, don’t just stop

  *LUMA: You can engage with more of your senses too because there's music happening, there's movement; there's an emotional exchange that you get to be a part of,...

• Performing objects, readymade bodies

  they danced with the understanding that this was for them, eventually it was, a 32-minute video, plays on loop at the back of the space: a collage of...

• Don’t just sit, don’t just stop

  *LUMA: Yeah, that was one of my favourite parts—how it's so conversational... There’s a Romanian and then an English voice, and they’re all speaking really poetically, and whatever they...

• Paint and Popcorn

  In the midst of all this engorgement—popcorn butter having created a sheen on my hands and face—I am left with the feeling of not being satiated. This feeling...