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                        Requiem for a Glacier: Mourning Climate Change 
                    
                
            
            
One of the first images in the video installation is of the chorus, shot from behind, being led by conductor Ajtony Csaba, music professor and symphony orchestra director at the University of Victoria. Everyone dressed in black to...
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                        Requiem for a Glacier: Mourning Climate Change 
                    
                
            
            
The video installation moves back and forth between whole and split screens, an effective way of showing the terrain as the viewer gets to see the site and...
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                        Requiem for a Glacier: Mourning Climate Change 
                    
                
            
            
Another strength of the piece is the use of close-ups of the terrain of the glacier, many of which focus of the large rivulets of water flowing downward. In a number of shots, the...
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                        Materiality, Interaction, and the Other: Colton Hash & Freya Olafson
                    
                
            
            
Victoria, BC based artist Colton Hash’s work deals directly with the data produced by the physical world and reflects it in a digital space. The relationship he creates between physical, data,...
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                        Materiality, Interaction, and the Other: Colton Hash & Freya Olafson
                    
                
            
            
Hash’s Acoustic Turbulence (2019) also mixes the physical and digital by using the Unity WebGL platform to allow viewers to interact with hydrophone data from Ocean Networks Canada.1Although the interactions are less complex...
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                        Materiality, Interaction, and the Other: Colton Hash & Freya Olafson
                    
                
            
            
Winnipeg, MB artist Freya Olafson’s work addresses these questions through an exploration of the body as material. Olafson uses the physical body and digital representations of the body to interrogate how the body can be used...
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                        Materiality, Interaction, and the Other: Colton Hash & Freya Olafson
                    
                
            
            
In the 2017 video installation Painting with the Man, Olafson questions the instrumentalization of women’s bodies in Yves Klein’s 1962 Anthropométries series where he covered women in his patented blue paint and made prints of...
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                        Behind the Screen: Lessons from Making IN PLAINVIEW
                    
                
            
            
But for filmmakers applying to the Talent to Watch program, there are a few deliverables you’ll need to keep in mind including a rough cut of the film,...
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                        Behind the Screen: Lessons from Making IN PLAINVIEW
                    
                
            
            
*TH: While you can easily access In Plainview anytime you want via Amazon’s streaming service, the road to getting it on there wasn’t nearly as quick as logging...
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                        Behind the Screen: Lessons from Making IN PLAINVIEW
                    
                
            
            
*TH: Whether you’re on your first film or your last, filmmaking is a learning process. There’s always something you wish you knew, something you could have done better. What...