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• Requiem for a Glacier: Mourning Climate Change

  The video installation moves back and forth between whole and split screens, an effective way of showing the terrain as the viewer gets to see the site and...

• FAVA TV: Bringing Media Art to the Masses

  Scholotiuk explains: “We found by doing that every video took time, and because it had to go through a person--me--to facilitate this, I became the de facto curator,...

• The Art Experience vs The Art Object: Performing Arts in the Digital Realm

  To achieve liveness, at some point, you must be live. You cannot replicate that moment of the shredded canvas, and pre-recorded content can be perfectly copied again and...

• On Collectives, Projects, Film Itself, and a Sausage Factory

  *LM: I’m really especially interested in this film-lab-in-a-sausage-factory thing you are doing now. Can you tell me more about it?* KR: Certainly. My partner, Nazli Dinçel, and I recently moved...

• Editor's Note

  For me gallery going is one of the safer public activities to pursue these days: an almost silent, distanced, and individualistic time to commune with the artworks on display. A...

• FAVA TV: Bringing Media Art to the Masses

  With that boost, they started building the app one partner at a time. Soon, other arts organizations, the Edmonton Folk Music Festival, Shumka dance, and other media arts...

• FAVA TV: Bringing Media Art to the Masses

  “We used to laugh at him. We called it Space Station Andy, it sounded so outrageous! He had a lot of good ideas, but the scope of it...

• Human Rights and Film at 150

  *AC: The CMHR is located in Winnipeg and as a national museum celebrates stories from across Canada and around the globe. How have you enabled people to engage...

• The Texture of the Gesture: Exploring Apostasy and Ancestry in Jeremy Moss' THESE WAYS I TRANSGRESS

  Beyond this material treatment, the process of recording images for the film may be the most compelling element of the work. Moss travelled with his family (a trip...

• Requiem for a Glacier: Mourning Climate Change

  One critique I have is of the inclusion of a black box which appears twice in the piece. During one section, the box begins in the centre of the screen, as seen in the above still, and...