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• Machine Language Protocol: Jeremy Shaw’s QUANTIFICATION TRILOGY

  The “interviews” and the rest of Quickeners, has been reworked from real-world documentary footage about a snake-handling Evangelical Christian sect from Appalachia in mid-century America. The black and white...

• A Revolution (Briefly) Embodied

  For many in the Canadian South, there is Atanarjuat and then there is everything that came before: a pliable history whose key players are Robert Flaherty, the National Film Board and local broadcasting societies....

• About

  Mandate Luma is a quarterly online publication about independent film and media art published by the Calgary Society of Independent Filmmakers and EMMEDIA Gallery & Production Society. Luma includes critical...

• Submissions

  Luma accepts pitches and previously unpublished finished works that aim to expand critical dialogue about media art and film. Submission formats can include, but are not limited to: critical...

• Alana Conway

  *Alana Conway* is an independent researcher residing in Calgary, Alberta. She completed a Masters of Anthropology at Carleton University in 2011, with a thesis focusing on Roma Refugee Claimants...

• Editor's Note

  I was recently left dead inside by “Longform Journalism in the Digital Age,” a panel discussion held at the Banff Centre a few weeks ago boasting the Online...

• Ektoplasm-o-vision! with Guy Maddin

  Over the last five years, Maddin has obsessed over remaking lost and unrealized films from cinema’s early decades, a period from which only a small fraction of films...

• Warp/Weft/Wept

  A three-part digital drapery study, Jasmin’s review of the word felt—as in haptic and emotive, tactile and affective—echoes triptych tradition. With what seem to be details of hair, oil...

• Turtles All The Way Down

• Özgün Eylül İşcen

  Özgün Eylül İşcen is a 3rd year PhD student in Computational Media, Arts and Cultures at Duke University. Her interest in new media theory and practice is situated...