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Navigating History, Memory, and Mythology: The Challenges of Depicting the 1919 Winnipeg General Strike
For Schur, Sokolowski’s story illustrates the connections between the experiences of immigrant workers living in Western Canada just after World War I, and the growing nativist sentiment around the...
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Navigating History, Memory, and Mythology: The Challenges of Depicting the 1919 Winnipeg General Strike
At the core of Stand! is a compelling love story involving Sokolowski’s son (played by Marshall Williams) and their Jewish neighbour (played by Laura Wiggins). Here, Schur takes the...
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Navigating History, Memory, and Mythology: The Challenges of Depicting the 1919 Winnipeg General Strike
Beyond the change in its name, the movie version will also have some significant changes in plot and characters. Schur says the film’s director Robert Adetuyi convinced him...
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Navigating History, Memory, and Mythology: The Challenges of Depicting the 1919 Winnipeg General Strike
The inclusion of Emma’s character represents a trend in films about the Winnipeg General Strike towards representing marginalized communities who weren’t part of the original strike narrative. “Absences in...
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Navigating History, Memory, and Mythology: The Challenges of Depicting the 1919 Winnipeg General Strike
The idea of creating a film about the strike as seen through the windows of a steam bath came to Gonick after seeing an exhibit for its 75th...
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Carbon Capture: Experimental Strategies for Re-Presenting the Anthropocene
The term Anthropocene was popularized in the early twenty first century by Dutch chemist Paul J. Crutzen, who proposed a new demarcation of geological time characterized by a variety...
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Carbon Capture: Experimental Strategies for Re-Presenting the Anthropocene
Nisha Platzer and Malin Schmid’s Seed (2018) is an example of hand processing used in this way. The rough, mottled, hand-processed textures complement the close-up images of plants, water,...
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Carbon Capture: Experimental Strategies for Re-Presenting the Anthropocene
In Michael Lyons’ Porto Landscape (2018), a “city symphony” film set in Porto, Portugal, various temporal devices are used to complementary effects. Lyons plays with mixing different “speeds” of...
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Carbon Capture: Experimental Strategies for Re-Presenting the Anthropocene
Exemplifying a different approach to time, most of Kathleen Rugh’s Winter’s First Moons (2018) utilizes double and triple exposure to playfully combine footage of the moon in a free-flowing...
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Carbon Capture: Experimental Strategies for Re-Presenting the Anthropocene
Native Elegance of the Soul, or Like, Whatever is framed as a walk through the Appalachian landscape. However, through rapid edits, such as, cutting out every second step...