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  • Nick Johnson

    *Nick Johnson* graduated from the Illustration program of the Alberta College of Art + Design in 2013 and has been freelancing and comic book making ever since. He is...

  • FAVA TV: Bringing Media Art to the Masses

    Administrative work is a necessary but often neglected engine of any arts organization. Putting resources into the office is usually an afterthought, and the tools are usually cobbled together...

  • thirstDays No.08: SO WIDE SO LOW SO HIGH

    The first piece to be introduced is the short film, The Last of the Nepinaks (2005) by Skownan First Nation artist Darryl Nepinak. The film follows a toddler...

  • Editor's Note

    For me gallery going is one of the safer public activities to pursue these days: an almost silent, distanced, and individualistic time to commune with the artworks on display. A...

  • The Many Faces of NOFAC3: Documenting Calgary’s Queer Underground

    In 2020 NOFAC3 directed a music video for the song “Toxigenic[https://vimeo.com/391825858]” by Khillah Khills utilizing local queer talent. It’s a culmination of the artist’s aesthetic choices, using elements of...

  • Fascinated and Repelled: an Interview with Lorenzo Fusi

    ST: It’s a generalization, but I think that Canada has this kind of double-edged insecurity in relation to nature and art; on one hand, Canadians are kind of...

  • Serenity, Destruction & Inauthenticity: The Transformation of Alberta in BROKEBACK MOUNTAIN and THE REVENANT

    Fitzgerald’s understanding is that the brutality of the world around them can only justify atheism: “In that moment, he told me, he found God. And it turns out,...

  • Naked and Alone at The Threshold Between Two Worlds

    I think back to a few months ago when the exhibition curator, Christina Cuthbertson, mentioned the Southern Alberta Art Gallery’s aspirations to host nude viewings of this work. I...

  • Lorenza Mazzetti: Free

    Despite a childhood punctuated by war and murder, Lorenza has had major exhibitions of paintings in Israel, France, and Germany. In the 1950s, she co-founded Free Cinema, a film...

  • Submissions

    Luma accepts pitches and previously unpublished finished works that aim to expand critical dialogue about media art and film. Submission formats can include, but are not limited to: critical...

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